Declan Gale Videography
For artists, labels and entertainment

Music and entertainment video

Written and ready, but do not publish it until there is a real music or entertainment job behind it. The proof available right now is one charity client whose work is music-adjacent rather than direct artist or venue work, and an industry page without a genuine case study is the thin-page problem in the site plan. Launch three strong industry pages, not four with one visibly thinner.

Live coverage, music-adjacent content and social cuts for artists, labels and entertainment brands, shot and edited by one person who moves fast and does not get in the way of the performance.

5.0 on Google Itemised quote the same day
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What matters most here

The moment does not repeat

A performance, a drop, a crowd reaction. No second take, so the coverage plan has to account for what only happens once, the same principle covered on the event page.

Low light, always

Kit chosen to handle a dark room or a stage without extra lighting changing the look of the show.

Turnaround usually matters more than length

A short cut out within a day or two while a moment is still current beats a longer, slower edit that lands after everyone has moved on.

What this usually looks like

Live performance coverage cut into short social pieces. Behind-the-scenes content around a release or an event. Artist or brand profile pieces for a website or press use.

What it costs

Priced the same as event coverage, from $1,800 for a live shoot with a recap and social cuts, or as a project depending on scope for something longer.

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Questions

Can you shoot live performance in low light?

Yes, that is most of the brief on this kind of job.

How fast can content come back after a show?

A few days is standard. Faster is possible and quoted as its own line, and it is worth flagging before the event since it changes how the night is covered.

More questions →

Tell me the show, the date and how fast you need something out.

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